She has a captivating look, and embodies a sense of innocence throughout, despite displaying the most promiscuous nature. Maria de Medeiros, despite not having top billing, get's the bulk of the screen time as Anais. Each scene lives for itself, some more successfully than others.īut in the torrid climax when Anais' wild ways have finally caught up with her, it all comes together nicely to leave a feeling of completion. The script tends to meander a bit, lacking any real plot. This is NOT a biopic of Henry Miller, which is the foolish mistake that some reviewers seemed to make on the films release. We the audience see Henry and June through the eyes of Anais, which may mean it's not exactly as they really were, but rather a romanticised version of them. In the film Anais is inspired by Henry and June to descend into a world of debauchery that fuels her erotic writing. Phillip Kaufman's loving examination of Anais Nin's relationship with Henry and June Miller is an enthralling journey. June shuttles between Paris and New York trying to find acting jobs while Henry works on his first major work, 'Tropic of Cancer,' a pseudo-biography of June.Īnais and Hugo help finance the book, but June is displeased with Henry's portrayal of her, and Anais and Henry have many arguments about their styles of writing on a backdrop of a Bohemian lifestyle in Paris. Intrigued by them both, she begins expanding her sexual horizons with her husband Hugo as well as with Henry and others. In 1931 Paris, Anais Nin meets Henry Miller and his wife June.

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